A Comic Evening

Though UML is the largest gaijin venue in the park, we do have several Japanese natives in our team. One of the fellas who plays Beetlejuice in our show is very active in theatre outside of USJ. He had invited the Monsters cast to come see his most recent performance project and six of us obliged. We walked in the door from work at about 6:15 with a plan to shower, get ready and meet downstairs at 6:45. Mind you, there were three women in this group. I don't know who we thought we were kidding... I did manage to make it downstairs before everyone had assembled, took one look at the fabulous Japanese heels my castmate Morgan donned and decided to run back upstairs to trade my cute little red flats for my burnt orange, snakeskin 5 inch stilettos. By the time I got back downstairs, the rest of the group had assembled and we hopped on our bikes, (yes, in heels) and rode to the subway station. Right as we made our way through the ticket line, we heard the familiar melody announcing the train's arrival. We ran up the stairs to the platform and got onto the train.

We all checked our watches nervously, fearing that we would be late, (a HUGE faux paux in Japanese culture), while two of our cast members who were more experienced at navigating through the local subway system studied the map "Beetlejuice" has given to us to find our way. We had to make one train change and, once again sprinted to our next train barely making it before the doors closed. Once we arrived at our final stop, we climbed the stairs to the street and went in search of the venue. A good mile and a half walk later, we discovered we had in fact gone (WAY) too far and doubled back. All of three of the girls were whining while the guys laughed at our funny little prances in our 5 inch footwear. After passing the small street where the theatre was hidden a good three times, we finally found the place. Before we went inside we were handed a plastic grocery bag and instructed to take off our shoes. This is fairly commonplace in Japan, what was funny was there was no foyer for us to take our shoes off in. Instead, we had to take them off, stand in our bare feet in the street and then track the dirt that clung to them inside the theatre with us. We couldn't help but chuckle at the irony.

Once inside, we snuck into our seats. The production was in full swing. Japanese humor can be very over the top, so even though we had no idea what the characters were saying, we were all fairly entertained. The problem was, we were often watching with a puzzled expression when the rest of the audience erupted into laughter. What's more, we were often laughing when the Japanese spectators looked on in silence. There were often moments where the cultural divide in the style of humor and performance was so great, it was all we could do to keep from laughing in an effort not to appear rude or disrespectful to the performers on stage. There was even a moment where I looked and saw tears rolling down the cheek of one of my companions as his shoulders shook in silent laughter. Regardless of the language barrier and foreign style (no pun intended), we were able to appreciate the actors who were obviously committed to their work and delivering a top-notch performance. Our very own Beetlejuice portrayed the villain masterfully. After the show, we got to give him a hug, take a photo and express our love and support. He was very touched that we had come to his performance. We said goodnight and started home.

On our walk back to the train station, we laughed together about the downright absurdity of the spectacle we had just observed, but agreed that it was undoubtedly a job well done. It was at that moment I made the mistake of making the statement, "I am not running anywhere else tonight in these heels." Sure enough.... as soon as we got back into the station, our ringleader for the evening shouted, "Train's coming!!!!" and we started our race all over again. Each time we ran for a train, we seemed to have to climb or descend more stairs than the last set and scamper frantically through longer corridors than the ones we had navigated before. By the time we reached our final train, we all collapsed exhausted onto the benches inside and did the only thing we could do, dissolve into a fit of uncontrollable laughter at the sheer ridiculousness of the entire evening. Since we hadn't had a chance to eat anything throughout our hijinks, a few of us stopped into a local favorite restaurant to finish the night off with some great food and great conversation.

It was definitely one for the books. Stay tuned for the next adventure! :)

Lessons in literacy.

It’s a strange thing, being a foreigner. I’ve never really experienced a language barrier to the degree that I do here in Japan. Even the time I spent in China a few years back doesn’t really compare because all of the supervisors I worked directly under at the Venetian were English-speaking foreigners as well. Here at USJ, out entire stage management staff and tech crew is Japanese. Very few speak English and even fewer speak it fluently.

My life outside of work is no exception. Sure, Kaigandori house is made up of English speaking performers like myself, but I do find myself spending a lot of time out and about apart from my cohorts. I find that I become the most keenly aware of how very different I am when I take the subway in the early evening when most are getting off of work. The subways are very crowded at this time and I tend to be the only fair-featured redhead in a sea of dark hair and business suits. The subways get very crowded around this time of day and it’s always a strange experience being packed in so closely to people with whom you cannot communicate. I’ve always been one for small-talk and making polite conversation with strangers. Not having the ability to connect with people like that has been an adjustment.

These factors have all contributed to my decision to study the language. They offer a free weekly Japanese class for those of us at Kaingandori House who wish to partake. Our teacher doesn’t speak a word of English to us, so it is unlike any other language course I’ve ever taken. In addition to the class, I’ve picked up a handful of Japanese books in douzo and have been studying it further on my own. I’m particularly excited about my decision learn to read and write the Japanese characters in addition to speaking the language. I’ve made flashcards and have designated my breaks between shows at work as time that I study. It’s a funny thing, learning to read Hirigana, because even though I am starting to be able to read the symbols and sound out the words, I don’t actually understand what the words mean. I need to step up my efforts in building my actual Japanese vocabulary. One of the most practical applications of the language I am looking forward to is being able to read the labels of the various products at the supermarket. I love to cook, and having to rely on the pictures on the labels has severely reduced the variety of ingredients I’m using.

I had a very small victory in my efforts to study the language this week. There was a new hair and makeup girl I hadn’t met yet helping me get ready for my show a few days ago and I asked her name. She told me her name was Aiko. After a moment or two, I realized that I already knew the symbols for all of the sounds in her name so I decided to attempt to transcribe it in Hirigana. My attempt turned out to be a success! I was able to correctly transcribe her name after simply hearing her say it! Such a small victory, but a HUGE motivator to continue in my studies.

I never would have imagined a need to learn the Japanese language in my life, but I am thoroughly enjoying the process. It’s going to make life beyond the walls of Kaigandori house a lot less lonely. :)

Superfans

On the first day of our orientation here at USJ, we were told that Monsters was one of the most popular shows in the park. We were told that there were people who came weekly, daily and sometimes hourly to see our production. We were told that they would get to know the routes we take through the park to get to and from our venue. We were told they would try to offer us gifts and that it was in our best interest to politely decline.

It is one thing to hear about the superfans. It is another thing entirely to experience the superfans firsthand. Our first show on Saturday really opened my eyes to the phenomenon. I was surprised and bewildered when I realized that most of the people in the first 4 or 5 rows of the audience were doing every step of the choreography with us from their seats. At first it surprised me and took me out of my show for a moment. I quickly regained focus when I realized that these people probably knew the show better than I did at this point, and that I had better get it right because they would be sure to know if I missed anything.

The next show came, and I saw many of the same faces in those first few rows. This started to make me even more nervous for a moment, but the anxiety passed when I realized how much they were enjoying it. Everywhere I looked in the 800 seat house, there was a sea of faces smiling from ear to ear, clapping and singing along with the music. They are incredibly fun to perform for because they LOVE the show so much. Every single superfan in the audience knew that we were a brand new cast. Everybody came with eager expectation to meet the new group and choose their favorite monsters from this year's lineup. I was baffled when friends posted links on my facebook page to superfan's blogs which had already been inundated with beautiful photos from that day's performances.

It's strange. I had been told that there was a celebrity status of sorts here in Osaka linked with being a USJ performer. I have never felt more like a rock star in my life. Don't get me wrong, I'm not being chased by screaming fans and paparazzi, (or whatever the japanese word for paparazzi might be,) but I do notice people watching me as I walk through the park. I was even stopped for a photograph with a fan's young daughter on my second day of performances. I was dumbfounded that this woman could recognize me under the low brim of my hat and sweats. It's such a drastic difference from the dramatic make-up, massive curly wig, fishnets and high heeled boots I wear in the show. Not to mention the fact that I had only appeared 4 times total on the UML stage and I was ALREADY being recognized. It's flattering, to say the least.

I don't understand how a 20 minute show in a theme park can bring people so much joy that it keeps them coming back time, after time, after time. Part of me wonders what may be missing from their lives that they assign such a significant role to the Monsters show and the performers in it. But then, I remember that people like the superfans are the reason I do what I do. If coming into a crowded theme park and watching me sing "I Will Survive" 5 times a day brings a little sunshine into the lives of these people, then I gladly give them my all at every single performance. After all, their smiles, cheering and applause bring more joy to my heart than would probably make sense to most people. Who am I to judge?

A Grateful Heart

I wouldn't trade what I do for anything in the world. It feeds my soul in every hippy-dippy way imaginable. I, essentially, get paid to sing, dance and play dress up. I get to walk out on stage and entertain people. It doesn't matter what kind of show I'm doing or how long or short it is. From the time the lights come up on stage, to the time the final curtain closes, I get the unique privilege of taking the people in that audience on a journey. Sometimes I make them laugh, sometimes I make them cry. Sometimes they are impressed by the spectacle of the lights, the pyro or the sound system booming around them. But every single time, those people filling the seats of the auditorium get to forget about whatever it is that is going on in their lives and for a short time, simply sit back and be entertained. It is so very humbling to know that I get to spend my life making this kind of an impact on thousands upon thousands of people.

Doing what I do, I get the opportunity to travel, spend time in amazing places I would have never thought to visit, and meet incredible people from all different walks of life in the process. It is so invigorating to be living here in the Kaigandori House surrounded by passionate, quirky and slightly eccentric performers from all over the globe. My cast has already become my family. So long as there is not any kind of childish and petty competition going on (which thankfully, there isn't here with my Monsters cast), performers are very good at taking care of each other. We have to be. We're gypsies who are constantly leaving our friends and family behind, so we bond deeply and immediately in order to support each other and fill up those lonely places in our lives. We have new and exciting experiences together as we explore our new surroundings and create memories that will become the stories we tell for the rest of our lives. How many people get the opportunity to lead such a unique life?

I count myself incredible blessed to have the talent, the opportunity and the freedom to take advantage of every adventure that presents itself. I am at the very brink of this chapter in Japan and I can already tell this is going to be a time that has incredible impact on me and shapes my life. Working in a theme park is going to build up my stamina and endurance. Doing 5 and 6 high energy rock n' roll shows in a day is going to challenge me as a singer, dancer, performer and artist. I'll do this show more than any other show I've done up to this point in my life. I'm going to have to learn to reinvent it and give each audience the maximum experience they deserve. My ability to persevere is going to be stretched and forced to grow simply in the fact that I will be in one place for 13 months. (That may not seem like a big deal, but it is a challenge for one such as myself who has the spirit of a wanderer.) I have this time away from home to make some decisions about what I want my life to look like when I do come back. This job is affording me the opportunity to return home debt free and start my life in any city, focus and direction that I please. I am meeting people here that will help to shape me as a person, an artist and an individual. This year is going to be one of tremendous growth.


I am simply overwhelmed with gratitude.

Good people and good music.

Tonight, a group of my fellow "monsters" and I took a short cab ride to a magical world of wonder; IKEA. The apartments here are rather beige, so we took a field trip to the home decorating warehouse and found some bits and pieces to make the spaces our own. I was a little bewildered by the whole thing, as I'd never experienced an IKEA before, and boy, was it an experience. Imagine every possible decorating scheme you could ever come up with........at incredibly affordable prices. I was so overwhelmed at first and had no idea what I wanted to do. I knew I didn't want to simply recreate the color scheme in my room at home, but I hadn't really thought about starting from scratch to decorate a whole new space. After some wandering, observing and thinking out loud, I was able to settle on some colors and motif's that I absolutely love. Big thanks to Mandi for helping the whole process along. :) I will definitely post pictures once I've got the whole place set up the way I want it.

When we got home, a few of us headed up to a castmate's room for some pasta, red wine and a jam session. We had a bit of a show and tell with some of our original music, and let me tell you.... based on what I heard tonight, it's going to be a very fun year. One of my two Frankenstein's, Isaac, is an INCREDIBLE writer akin to Jason Mraz and Jack Johnson. He's got great guitar chops and is a smart writer. Not to mention the fact that the boy's voice is very easy on the ears. We bonded on the first day we were here over music, home recording and the like and tonight only seemed to fuel our excitement to combine forces as writers and see what kind of magic we can make. Between the two of us, we've just about got an entire home studio here at the Kaigandori house, which will come in handy when I record my acoustic album this year. Needless to say, I am VERY excited to see what happens on and off stage this year with my cast.

Alright everybody.... time to catch up on my favorite American tv shows and finish moving some things around in the room before I get to bed. Vocal rehearsals start tomorrow!

Seat warmers, sound machines and vending machine lattes

Jet lag.

I woke up around 4 this morning and managed to get back to sleep for a couple hours. When 6 AM rolled around, I gave up and decided to get up and unpack. I managed to get pretty well settled into my cozy little apartment, do a short workout and make myself breakfast before rushing downstairs to the lobby for 9AM orientation.

So far, one of my favorite parts of life in Japan is getting around on my bicycle. I definitely think that I will enjoy the active lifestyle that comes with one of my primary modes of transportation during my stay. Today was an absolutely GORGEOUS day out and our group biked to the ferry where we headed over to the park for a very long day of company policy education. We were all in good spirits though and managed to laugh a lot through the whole process.

One thing I have learned already is that Japan is the land of abundant convenience. I suppose when a country has as many people as Japan does, there is no choice BUT to implement such accommodations. Everywhere you look there are vending machines with anything from cigarettes, to bottled water to HOT (and DELICIOUS) instant coffee. And it's CHEAP too. It's about the equivalent of $1USD for a piping hot cup of just about any kind of coffee drink you could want. They've even got caramel macchiatos in these machines. It's pretty great. :)

The funniest discovery we made today by FAR was in the public restrooms. As soon as you close and lock the door to the stall, a sound machine kicks in with waves or running water to mask the sound as you do your business. Not only this, but we were startled at first, to discover that the seats are equipped with seat warmers to make your experience more comfortable. Suffice it to say, we all had a good laugh about this together throughout the day. Why, I ask you, haven't we adopted the same amenities in the states? It really does round out the entire experience. lol

(Forgive me if this entry seems awkward or disjointed. Jet lag has reduced my brain to utter mush. I just wanted to make sure to write while this stuff was still fresh in my mind.)

I look forward to tomorrow and whatever new adventures the day brings. :)

The Ultimate Test

It's a funny thing: the dynamic between men and women. With adulthood comes a whole new set of rules (and exceptions to them) in this game of love we are all clamoring to play. We realize that things are not nearly as black and white as we once believed them to be when our heads were filled with the image of the ideal romance painted by every one of our favorite childhood fairytales. With adulthood comes an understanding that though the basic framework of the game remains the same, the rules have changed entirely.

In today’s world, one’s lifestyle is often completely defined and dictated by their career path. Mine is no exception. I work as a professional entertainer and while I love what I do, it is not exactly conducive to building and maintaining committed relationships. Not in the conventional sense, anyway. People who work in the entertainment industry have long since come to peace with the fact that distance is an inevitable hardship they will have to endure if they ever hope to be a part of something lasting. In order to survive in this kind of dating environment, one must develop a certain casual approach in the earliest stages of courtship. Due to the fact that working performers are rarely in one place for longer than four to six months at a time, they must learn to appreciate any time they get to spend with someone they care for at face value. While passions often develop quickly and run deeply between these artistic types, they must understand that they can’t really trust their feelings until they have stood the test of time and distance. One thing that is very common of interpersonal relationships among performers, (theatre performers, especially) is that due to the nature of our jobs, we are constantly moving from one temporary community to another. We have grown very accustomed to developing deep emotional ties at an accelerated rate (due, in part to the exorbitant amount of time spent together in the rehearsal process) and having to say goodbye to our new found friends just as quickly. Romantic relationships within this realm reflect much of the same pattern. Often, these affairs fizzle as quickly as they were ignited.

Occasionally, one will find that they’ve stumbled upon a romance that is worth exploring beyond the end of the performance contract. Then comes the question of whether or not to remain exclusive in spite of the physical distance. No matter what decision a couple reaches about this matter, they will endure their own unique brand of heartache. If they choose to remain entirely committed, they will no doubt suffer great pains from the separation. They will, however, be able to take comfort in the knowledge that their significant other is not seeking the company of anybody else. Another approach is to leave the relationship undefined. To freely acknowledge their feelings for one another yet remain open to whatever (or whomever) may come along in the other’s absence. While this method awards each party certain freedoms, it can be a breeding ground for insecurity and distrust. It is important to remember that though it very closely resembles a relationship, it is missing a vital factor: commitment. It is crucial to keep things in perspective and guard one’s heart if they choose to move forward in this type of arrangement.

As grim as either of these two scenarios may seem, there are the rare occasions when time and distance do not serve as a means of tearing two such people apart but instead solidify their union. The funny thing about the heart is that is knows what it wants. No amount of separation can convince it otherwise when it has chosen to devote itself to another. There is a point at which we must choose to let go and trust that if it is meant to be, it will be no matter what odds are stacked against our promised happily ever after.